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But there is also something touching about the transition from basically resenting these anonymous neighbors, to getting them all of a sudden, brutally humanized proper in front of her. Any person who lives in a dense urban location knows what it's like to get constant glimpses into the lives of strangers, regardless of whether you want them or not, and what it really is like to so easily lessen these individuals in your thoughts to practically nothing far more than sources of annoyance and inconvenience. It's so effortless to overlook that we know nothing about the lives and situations going on all about us.
The former Manhattan living area of designers Nate Berkus and Jeremiah Brent characteristics circa-1970 Georges Pelletier ceramic lights above a vintage sofa by Afra and Tobia Scarpa for Cassina, a '70s Jansen brass cocktail table, and a French steel low table the vide-poche table in the foreground is a '50s style by Jacques Adnet, and the windows are dressed with curtains and rods by RH and tassels found at a industry in Thailand.